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Title profile
満足度67
注目度39
ボリューム61
コスパ36
入手しやすさ40
Scores computed from our own data, 0-100. Higher means stronger in that dimension.
About this title
What if, one day, a man's spirit suddenly took over a beautiful dental hygienist's body? RCTD-757 is a body-swap (TSF) feature made for ROCKET's 18th-anniversary user-request festival. Reviewers praise the fresh dental-clinic setting and the acting range needed to sell a possession before and after, and 8 of the 10 reviews collected give it 5 stars, for an average of 4.60.
A body-swap (TSF) feature where a man's spirit possesses a beautiful dental hygienist — part of ROCKET's 18th-anniversary user-request festival
8 of 10 reviews give it 5 stars, averaging 4.60
A dental clinic setting instead of the usual school, office, or hospital
Reviewers repeatedly praise Yuika Onosaka and Mai Onodera for how they play the gap before and after possession
Bright red contact lenses do a lot of the acting when the possessed character can't speak
Comes with a related-works guide to both actresses' catalogs
The premise: "Hijacked Dental Clinic"
The film opens with a man's spirit suddenly taking over the body of Yuika Onosaka's dental hygienist character. According to reviewers, the first act follows the possessed body examining itself in a mirror and masturbating, taking in the pleasures of a woman's body from the inside. Partway through, a high-school-age patient played by Mai Onodera comes in, faints from the pain of rough treatment, and ends up stripped naked — at which point the same spirit possesses her too. What looks like two women together is, underneath, two men occupying female bodies, which is exactly the kind of twisted setup the TSF genre is built on.
By the closing stretch, the two possessed bodies are described as grinding against each other in a tribadism-style scene with repeated squirting, and the film reportedly takes the time to show Onodera's character coming back to herself afterward, still naked and dazed.
Where this sits in ROCKET's 18th-anniversary lineup
This was made as part of "ROCKET's 18th Anniversary User Request Festival," meaning it directly reflects requests from the fanbase. The listing carries genre tags for various professions, planned/concept features, hospitals and clinics, and body-swap/TSF. Where this series has usually stuck to schools, offices, or hospitals, this entry tries out a dental clinic instead. Reviewers are split on whether that works: one finds the dentist's office a refreshing change of pace from the usual school, office, or hospital, while another feels the dental setting is distracting throughout and argues that non-actress professions like office workers or idols don't mesh well with the possession concept.
What reviewers praise about the before/after acting
Yuika Onosaka
Born February 9, 2002 / previously with Bambi Promotion, now with T-Powers, per Wikipedia
In TSF, how well an actress sells the "gap" between her character before and after possession usually decides whether the film works, and both leads get high marks here. For Onosaka specifically, one review points to her background drawing manga as a kid and credits it for how convincingly she pulls off a "man's" tone of voice and mannerisms, arguing the shift after possession is what makes the character believable at all.
What reviewers liked
The deep, tongue-heavy kiss scene that several reviewers single out as the most memorable moment
Bright red contact lenses that make "something has changed" legible through the eyes alone, even in the wordless moments right after possession
Keeping each actress's underlying character intact rather than overwriting it, so the impersonation premise never feels forced
A real ending with a beginning, middle, and end, instead of the usual orgy-scene wrap-up
What gave reviewers pause
The dental-clinic setting itself, which some found distracting rather than fresh
A wish for more, longer reaction shots of the actual moment of possession, rather than so much time spent on the masturbation scene
A suggestion that the lesbian scene could have gone further with the two "swapping" who's on top mid-scene
A comment about the ratio of screen time between the hygienist and patient roles feeling a little unbalanced
The one 2-star review specifically says nothing about this entry stood out compared to last month's release in the same possession-themed line — it's a relative letdown next to another ROCKET title, not really a complaint about this film's craftsmanship.
Rating breakdown and how satisfied viewers are
Rating
Count
5 stars
8
4 stars
1
2 stars
1
Eight of the ten reviews collected give it 5 stars, one gives 4, and one gives 2, for an average of 4.60. With only a single low score, and that score framed as a comparison to a different release rather than a critique of this one, satisfaction with the film on its own terms comes through as solidly high.
At 158 minutes, there's enough runtime to properly build out all three phases — before possession, the patient's possession, and the scene once both are under the same spirit's control — rather than rushing any of them.
For Onosaka, IPZZ-292 (from close to her debut) shows more of her natural, unaffected side, while SQDE-13, a soft, affectionate girlfriend-role feature, is a good contrast to the harder edge she plays here. Onodera's career can be traced back to SDJS-180, her AV debut as a first-year employee in a company's PR department. Watching each actress's committed, over-the-top possession performance next to how they present outside this genre makes the range on display here easier to appreciate.
